photo (c) Kyle La Mere

photo (c) Kyle La Mere

Marielle Allschwang—vocalist, multi-instrumentalist, and member of some of Milwaukee’s finest ensembles (Collections of Colonies of Bees, Hello Death)—sits at the center of the band she has named The Visitations, where she "[commands] the stage with hushed intensity" (Evan Rytlewski, Shepherd Express). At times gentle and beautiful, at others brutal and terrifying, “Allschwang’s voice seems familiar: it’s a timeless instrument, full of sadness, beauty, and independence, rooted in the fertile ground of Americana but twisted into the wilding sky of the avant-garde” (Matt Wild, Milwaukee Record).  

Allschwang’s debut album, Dead Not Done, was released on cassette on Gloss Records in 2015; it was featured on year-end “Best Albums of Milwaukee” lists by the Milwaukee Journal Sentinel, Shepherd Express, and Milwaukee Record, who lauded its “Lynchian beauty and grace." Allschwang's video for "Aquarium," which she produced alongside its director, Heather Hass, received RadioMilwaukee's 2017 Music Video of the Year Award. "Aquarium" was released along with a vinyl edition of "Dead Not Done," designed by Rob Carmichael of SEEN Studio. In July 2017, Allschwang recorded materials with her band The Visitations and engineer Jaime Hansen at the Chair Company (Milwaukee, WI) to create what would be the "Marcus & Ramona/Married" ep (rel. June 2018) and her sophomore full length record, VISITATIONS IV (rel. May 8, 2019). Night Gathering: A Ritual in Four Acts was self-recorded and released October 17, 2018.

Previous to contributing vocals and dance (the latter in collaboration with choreographer Dawn Springer) to Collections of Colonies of Bees and violin, guitar, and vocals to Hello Death, Allschwang performed violin and vocals in Group of the Altos, having recorded on both of their full lengths "Altos" and "R U Person or Not." She also was with Altos for their milestone performances of ALTOS: EARTH—a live original score to Aleksandr Dovzhenko's masterpiece "Earth (Zemlya)" (co-commissioned by Alverno Presents and Milwaukee Film)—and Joe Westerlund's "Grandma Sparrow and the Piddletractor Orchestra" (Alverno Presents). Allschwang performed in Jon Mueller's Death Blues "No Time Like the Present," "Here," and "Ensemble" iterations. 

Allschwang's violin contributions range from folk/pop to (primarily) avant-garde projects: her instrumental cv includes a guest appearance on Field Report's "Fergus Falls", a collaboration with Druome on a split CD shared with Daniel Menche, a performance with Ken Montgomery (Generator Sound Art Gallery), Andrea Beeman (Crash Course in Science), and Adam Michael Krause on "Moon Ragas" (performed live at The Stone in 2013), and, most recently, improvisational contributions to Tom Hamilton's latest work, "City of Vorticity" (performed alongside Hamilton, Jon Mueller, Rick Aaron, and Steve Nelson-Raney) as part of Woodland Pattern's Alternating Currents Live series curated by Hal Rammel. In addition to ongoing sonic explorations, Allschwang is also a writer of essays and a multidisciplinary artist, having performed contemporary dance to thousands of audience members during the Collections of Colonies of Bees tour with Sylvan Esso, exhibited work in video and print media in Boston, Wellesley (MA), and Milwaukee, and created/mentored/taught as a resident artist at RedLine MKE. Allschwang continues to combine her visual arts and music practices through her artist print editions of Night Gathering, and a multimedia project commissioned by the John Michael Kohler Arts Center—a song cycle and film about revered Milwaukee-based artist, Mary L. Nohl— called, Precession of a Day: The World of Mary Nohl, Precession of a Day will debut in summer 2019.

Listen

https://marielleallschwangmusic.bandcamp.com/

contact

marielle [dot] allschwang [at] gmail [dot] com

@golden_bookay   /MarielleAllschwangMusic/

marielle allschwang & the visitations

photo (c) Connie Ward / In The Rushes @ The Shitty Barn

photo (c) Connie Ward / In The Rushes @ The Shitty Barn

Photo (c) Connie Ward

Photo (c) Connie Ward

Adam Michael Krause’s writing and solo recordings are one-of-a-kind: powerful, surprisingly moving, direct, concise, eloquent. In addition to his published works on art, politics, and activism, Krause founded Red Earth Press to serve as producer and purveyor of DIY books and art on environmental issues. He contributes guitar, musical saw, tape loops, and auxiliary percussion to Allschwang’s debut album and Visitations-era recordings and live performances.

photo (c) Joe Kirschling

photo (c) Joe Kirschling

Kavi Laud is a generous musician with a wide stylistic range, playing a vital role not only in Allschwang's Visitations, but also in Milwaukee bands WORK and Sugar Ransom & the secret pistols. He now lives in Austin, TX.

photo (c) Joe Kirschling

photo (c) Joe Kirschling

Nathaniel Heuer is the founder of Heuer Woodworking and a formally trained upright bassist. He is the principle songwriter for Milwaukee band Hello Death, of which Allschwang is also a member, and has recorded and performed in Group of the Altos and Death Blues. An engaged organizer and collaborator, Heuer has directed video and co-curated Alverno Presents: Prince Uncovered, among many other things. In 2017, Heuer opened The Chair Company, a studio space founded in partnership with composer and engineer Lawton Hall, in Bay View, WI. Heuer released the first songs for a new collaborative solo project called Name Hymn in April 2019.

photo (c) Connie Ward / In The Rushes

photo (c) Connie Ward / In The Rushes

Ken Palme is a formidable guitarist who has lent his unforgettable voicing to Group of the Altos and Jon Mueller's Death Blues. Palme balances his incendiary technical abilities against restrained and careful compositions, making him a secret weapon.

Photo (c) Connie Ward

Photo (c) Connie Ward

Thomas Duffey is a majestic drummer and the funniest person we know. He is a founder of his own web design firm, a founding member of Group of the Altos, and now he is a Visitation.